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'Olympus: Rebirth' #1 draws you into a new and compelling world of the gods
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‘Olympus: Rebirth’ #1 draws you into a new and compelling world of the gods

‘Olympus: Rebirth’ #1 follows Hippolyta into the land of the Greek gods.

Olympus: Rebirth is a new series spinning out of Trial of the Amazons featuring Hippolyta in the lead role. But wait, didn’t she die? As we saw in Artemis: Wanted, yes, but do gods ever really die? The new series aims to show how the Greek pantheon of the gods may be in trouble, and Hippolyta could be their only hope. Problem is, gods are bullheaded and arrogant, so will they even listen?

In the same vein as something like Sandman, writers Michael Conrad and Becky Cloonan appear to be utilizing the Greek Gods in a compelling and, at times, absorbing way. A few elements tie into their take on these gods, the first of which is their powers to wane and grow based on the number of people who believe them. Spinning out of the events where Wonder Woman saved them, Hippolyta enters the world of the Greek gods who have survived and are now relaxed in their world. Cutting themselves off from the real world is a major issue for Hippolyta, though, and she won’t stand for that. She is the spark these gods might need to evolve and grow. That is, if they can get over a murder in this issue!

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With 39 pages of content, the creative has a lot of room to explore the character and Hippolyta’s predicament. Fine with being dead and now in the pantheon of gods, Hippolyta still desires some contact with humanity, especially her daughter, Wonder Woman. Conrad and Cloonan do a good job establishing the many gods that Hippolyta will be interacting with, and there are some nice nods to past stories too.

Olympus: Rebirth

Even Hippolyta must cross the river.
Credit: DC Comics

The plot moves a bit too slowly, but it’s not boring so much as it could use some action or some added conflict. As it stands, the issue is more or less Hippolyta getting used to a few personalities and then entering the Graveyard of the Gods. There’s a confrontation with Zeus, some hints at an impending threat towards a major hero, and some dramatic moments in the final few pages. You’re not turning the page out of excitement but basking in the casual approach the creative team is taking.

Caitlin Yarsky’s pencils are sharp, detailed, and expressive. Part of the reason you’ll enjoy every scene is due to the character acting that’s drawing you into each character’s unique experience. There’s an intensity on certain characters’ faces, especially the evil or darker ones, that’s unmistakable. It’s also interesting how Hippolyta shows a bit of age on her face. She’s not young or youthful, even in the afterlife. It gives her the presence of being wise. Based on this issue, Yarsky is an artist to watch and will likely be drawing some of your favorite main series soon. There are a few pages, particularly with symmetrical backdrops or the details in Hera’s hair, that reminded me of Yanick Paquette’s art on Wonder Woman: Earth One.

The slower, more methodical pace of Olympus: Rebirth #1 is a welcome one if you’re even slightly interested in a story about the gods. The various Greek gods and their personalities, mixed with a building threat only Hippolyta knows about, make for an enjoyable experience. Yarsky’s art is absorbing, enjoyable, and just the right fit for a story that draws you in and is vividly realized.

'Olympus: Rebirth' #1 draws you into a new and compelling world of the gods
‘Olympus: Rebirth’ #1 draws you into a new and compelling world of the gods
Olympus: Rebirth #1
The slower, more methodical pace of Olympus: Rebirth #1 is a welcome one if you're even slightly interested in a story about the gods. The various Greek gods and their personalities, mixed with a building threat only Hippolyta knows about, make for an enjoyable experience. Yarsky's art is absorbing, enjoyable, and just the right fit for a story that draws you in and is vividly realized.
Reader Rating1 Votes
9
Clean art is super expressive with facial expressions and character acting
A compelling world of gods who are closed off, but maybe not for long
Sets up a threat that requires Hippolyta to take action
A slower pace to be sure, with conflict not quite evident till the later pages
9
Great
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