Connect with us
Transformers #7 Review

Comic Books

Transformers #7 Review

This issue sets up a lot to look forward to, and does a great job depicting the apparent fall of Cybertron.

[amazon_link asins=’B07PXF5DPK’ template=’AiPTProductAd’ store=’aiptcomics-20′ marketplace=’US’ link_id=’73aab7dc-5166-4fac-9a65-5f9ce500a946′]

IDW’s Transformers built a massive cult following when James Roberts took the helm, as a writer not very well known in comics, and re-contextualized the entire backstory of the Transformers from their creation to their culture to the war that spilt out across the universe. IDW has learned some great lessons from this success, as Brian Ruckley, a new writer to comics, was chosen to helm their Transformers book from the very beginning. Right from the start, this run has added nuance and complexity to Cybertronian culture and has been setting the stage for Megatron’s eventual revolution. Ruckley is developing characters incredibly organically and building a world quite unlike anything done in Transformers before, and each issue adds to the ongoing tapestry of this universe.

Listen to the latest episode of our weekly comics podcast!

Transformers #7 Review

Following up on the cliffhanger ending of #5, this issue starts off focusing on Bumblebee, who is reeling from the murder of his mentee, Rubble. Ruckley does a great job letting this scene breathe, as Bumblebee is visibly distraught over this loss. The first two-thirds of the issue continues to focus on the gravity of Rubble’s death and its effect on those closest to it, with Windblade, Prowl, and Optimus Prime all showing their grief in their own way. Bumblebee’s story is the most interesting, as he becomes further and further disillusioned with his world and way of life. The tail end of the issue sets up the conflict for the next issue, with Cyclonus attacked by a mysterious cybertronian. This last plot thread feels a bit too far removed from the rest of the issue, and as a result feels disjointed storywise.

Transformers #7 Review

As usual, this issue is penciled by several artists, each one working on different scenes and ascribing their own style and tone to the book. Angel Hernandez’s work on the book continues to make Cybertron feel grand and clean, essentially through Bumblebee’s eyes, but the scope has shifted — the world feels uncaring and cold, mirroring Bumblebee’s growing disillusionment. Andrew Griffith’s work on the scenes with Prowl and Orion Pax feel much more like standard Transformers, with less grand scale and more grounded grit. Anna Malkova’s work on the Cyclonus sequence gets the feeling of the outsider across incredibly well — isolated yet not alone. It also makes the surprise appearance of the mystery cybertronian feel like an encroachment, as if the reader’s own space has been invaded just as Cyclonus’ has. All of the artists do an excellent job tying this issue together, and despite their different styles, never clash with one another, resulting in an incredibly cohesive-looking final product.

The issue as a whole is an excellent way to allow the events of the previous issues to breathe and really get their importance and impact across. Ruckley’s depiction of Bumblebee’s grief and disillusionment is excellent, as it feels palpable throughout the issue. It also handles the loss of the point of view character very well. Rubble was the lens through which the reader could experience this new Cybertron, and his death could easily have resulted in a loss of perspective and focus. Instead, the book takes this loss in stride and uses it to flesh out the perspectives of all the other characters. This issue sets up a lot to look forward to, and does a great job depicting the apparent fall of Cybertron.

Transformers #7 Review
Transformers #7
Is it good?
The issue as a whole is an excellent way to allow the events of the previous issues to breathe and really get their importance and impact across. Ruckley's depiction of Bumblebee's grief and disillusionment is excellent, as it feels palpable throughout the issue. It also handles the loss of the point of view character very well. Rubble was the lens through which the reader could experience this new Cybertron, and his death could easily have resulted in a loss of perspective and focus. Instead, the book takes this loss in stride and uses it to flesh out the perspectives of all the other characters. This issue sets up a lot to look forward to, and does a great job depicting the apparent fall of Cybertron.
Ruckley's depiction of each character's grief is incredibly compelling.
The plot threads that are set up leave a lot to look forward to.
The artists all provide their own styles to the book while still feeling incredibly cohesive.
The Cyclonus sequence feels disjointed compared to the rest of the issue.
9
Great

Join the AIPT Patreon

Want to take our relationship to the next level? Become a patron today to gain access to exclusive perks, such as:

  • ❌ Remove all ads on the website
  • 💬 Join our Discord community, where we chat about the latest news and releases from everything we cover on AIPT
  • 📗 Access to our monthly book club
  • 📦 Get a physical trade paperback shipped to you every month
  • 💥 And more!
Sign up today
Comments

In Case You Missed It

'My Adventures with Superman' gets new comics series starting June 2024 'My Adventures with Superman' gets new comics series starting June 2024

‘My Adventures with Superman’ gets new comics series starting June 2024

Comic Books

New DC Black Label 'Zatanna: Bring Down the House' out June 25th New DC Black Label 'Zatanna: Bring Down the House' out June 25th

New DC Black Label ‘Zatanna: Bring Down the House’ out June 25th

Comic Books

'X-Men' #35 (LGY #700) is the final farewell to the Krakoan Age 'X-Men' #35 (LGY #700) is the final farewell to the Krakoan Age

‘X-Men’ #35 (LGY #700) is the final farewell to the Krakoan Age

Comic Books

'Avengers' #11 reads like a classic tale 'Avengers' #11 reads like a classic tale

‘Avengers’ #11 reads like a classic tale

Comic Books

Connect
Newsletter Signup